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En s’appuyant sur des perspectives négligées et des esthétiques marginales, André conçoit des espaces et des objets qui s’éloignent des conventions et des normes établies. Ce déplacement du point de vue produit des formes dont la portée est, en elle même, transformative.",[],{"type":164,"text":184,"spans":185,"direction":171},"Cette approche intègre souvent des récits de communautés sous-représentées et de non-humains, et donne naissance à des environnements dans lesquels un public large et divers se sent intuitivement représenté, et donc bienvenue.",[],{"type":164,"text":173,"spans":187,"direction":171},[],{"type":164,"text":189,"spans":190,"direction":171},"Parmi ses projets en cours figurent un bâtiment pour la Diriyah Biennale en Arabie saoudite, un restaurant dans le centre de Londres, un agriturismo dans les montagnes de Sardaigne conçu pour un propriétaire en situation de handicap, ainsi que l’architecture curatoriale de la Biennale de Boukhara en Ouzbékistan.",[],{"type":164,"text":173,"spans":192,"direction":171},[],{"type":164,"text":194,"spans":195,"direction":171},"GOLEM a été présenté sur des plateformes reconnues telles que Paris Design Week, Collectible Design Fair, le Dhaka Art Summit, la Diriyah Biennale, la Islamic Arts Biennale à Djeddah en Arabie saoudite, ainsi que la Biennale de Boukhara en Ouzbékistan.",[196],{"start":168,"end":169,"type":170},{"type":164,"text":198,"spans":199,"direction":171},"‏‏‎ ‎",[],{"type":164,"text":201,"spans":202,"direction":171},"Au cours des 10 dernières années, Ariel a travaillé comme architecte pour des studios primés et de renommée mondiale à Paris, Tokyo, Los Angeles, Amsterdam et pour le gouvernement en Haïti.",[],{"type":164,"text":198,"spans":204,"direction":171},[],{"type":164,"text":206,"spans":207,"direction":171},"Avant de fonder GOLEM, Ariel André a dirigé des équipes de conception chez OMA - Rem Koolhaas, cabinet d'architecture lauréat du prix Pritzker à Rotterdam où il a travaillé comme architecte - chef de projet et était responsable du développement des pays francophones. Ses projets chez OMA comprennent des commerces, des musées et des bureaux au Qatar, le deuxième plus grand palais de justice de France (Lille), le redéveloppement urbain du deuxième plus grand quartier d’affaires d’Europe (AZCA - Madrid) et un développement de logements à grande échelle sur la Côte d’Azur (Toulon).",[208,212,213,216,217,225],{"start":209,"end":210,"type":211},16,21,"em",{"start":209,"end":210,"type":170},{"start":214,"end":215,"type":211},23,35,{"start":214,"end":215,"type":170},{"start":218,"end":219,"type":220,"data":221},75,93,"hyperlink",{"link_type":222,"url":223,"target":224},"Web","https:\u002F\u002Fwww.oma.com\u002F","_blank",{"start":226,"end":227,"type":220,"data":228},129,142,{"link_type":222,"url":229,"target":224},"https:\u002F\u002Fwww.pritzkerprize.com\u002Flaureates\u002F2000",[231,237,239,246,249,252,255,259,262,265,267],{"type":164,"text":232,"spans":233,"direction":171},"GOLEM is an architecture, art & design studio founded in 2021 by Ariel André.",[234,235],{"start":168,"end":169,"type":211},{"start":168,"end":236,"type":170},5,{"type":164,"text":198,"spans":238,"direction":171},[],{"type":164,"text":240,"spans":241,"direction":171},"Ariel André  \\aʀiɛl ˈɑːndreɪ\\ is an architect and founder of GOLEM, an architecture, design, and research studio based in Paris.",[242,243],{"start":168,"end":179,"type":170},{"start":244,"end":245,"type":211},12,13,{"type":164,"text":247,"spans":248,"direction":171},"His work deliberately departs from standardized architectural and design frameworks. By drawing on overlooked perspectives and marginal aesthetics, André designs spaces and objects that differ from established conventions and norms. This shift in standpoint results in designs that are inherently transformative. ",[],{"type":164,"text":250,"spans":251,"direction":171},"This approach often integrates narratives of underrepresented communities and non-humans, and produces environments in which a broad and diverse public feels intuitively represented and therefore welcomed.",[],{"type":164,"text":253,"spans":254,"direction":171},"His ongoing projects include a building for the Diriyah Biennale in Saudi Arabia, a restaurant in central London, an agriturismo in Sardinia's mountains designed for a disabled owner, and the curatorial architecture for the Bukhara Biennial in Uzbekistan.",[],{"type":164,"text":256,"spans":257,"direction":171},"GOLEM has garnered recognition at prestigious platforms such as Paris Design Week, Collectible Design Fair, the Dhaka Art Summit, the Diriyah Biennale, and the Islamic Arts Biennale in Jeddah, Saudi Arabia and the Bukhara Biennial in Uzbekistan.",[258],{"start":168,"end":169,"type":170},{"type":164,"text":260,"spans":261,"direction":171},"‏‏‏‏‎‎",[],{"type":164,"text":263,"spans":264,"direction":171},"For the past 10 years before founding GOLEM, Ariel André worked as an Architect for world-renowned award winning studios in Paris, Tokyo, Los Angeles, Rotterdam, Amsterdam and for the Government in Haiti.",[],{"type":164,"text":173,"spans":266,"direction":171},[],{"type":164,"text":268,"spans":269,"direction":171},"Before founding GOLEM, Ariel André led design teams at OMA - Rem Koolhaas, the Pritzker Prize-winning architecture firm in Rotterdam where he worked as an Architect – Project Manager and was responsible for the business development of French-speaking countries. 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Ancrer la scénographie dans le cadre architectural néoclassique du Panthéon, monument parisien dédié aux grandes figures de la République française.",[],{"type":164,"text":332,"spans":333},"2. Adopter un langage populaire guidé par le plaisir comme principe unificateur, rendant l'architecture accessible à tous, et non seulement aux spécialistes et connaisseurs.",[],{"type":164,"text":335,"spans":336},"3. Repenser l'architecture existante pour proposer une réalité alternative où l'accessibilité profite à tous grâce à une mouvement architectonique de sol tout en courbes et rondeurs.",[],{"type":164,"text":338,"spans":339},"4. Encourager la participation du public dans la scénographie en offrant un aperçu du parcours et une traduction directe du corpus de l'exposition à travers des éléments de couleur et tactiles.",[],{"type":164,"text":173,"spans":341},[],{"type":164,"text":343,"spans":344},"La concrétisation de ces principes se manifeste sous la forme d'un design attractif et immersif qui s'harmonise parfaitement avec l'héritage du Panthéon, tout en respectant les directives générales établies par le comité scientifique de l'exposition.",[],[346,349,351,354,357,360,363,365],{"type":164,"text":347,"spans":348},"Our proposal for the scenography of the History of the Paralympics exhibition is based on four key aspects:",[],{"type":164,"text":173,"spans":350},[],{"type":164,"text":352,"spans":353},"1. Grounding the scenography within the neoclassical architectural framework of the Pantheon, a Parisian monument dedicated to great men and women of the French Republic.",[],{"type":164,"text":355,"spans":356},"2. Embodying a pleasure-driven popular language as a unifying principle, making architecture accessible to everyone, rather than solely to the specialists and connoisseurs.",[],{"type":164,"text":358,"spans":359},"3. Rethinking the existing architecture through an inflated floor to propose an alternative reality where accessibility benefits all.",[],{"type":164,"text":361,"spans":362},"4. 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